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Tommy Pallotta and Femke Wolting’s Last Hijack was billed as a documentary that provides insight into Somali piracy from a pirate’s perspective – rather than put them down as villainous low-lives, it would perhaps provide a deeper explanation of a phenomenon that was fuelled by a famine and civil war that almost simultaneously ravaged a nation.
On the Essence of Cinema
- Film as Art But, we were discussing the medium of cinema as a whole, and from the perspective of...
- Film Criticism An interesting side effect that results from these cinematic additions to a base of essential content (the...
- Complexity – A Brief Note Complexity is important to narrative and  as a whole: as noted previously, conflict...
- Experimental Film This point has further implications when applied to the differences of opinion and technique between advocates of...
- Narrative and Film: Approaches, pt. 1 An ideal of narrative film is that every facet of the movie should...
It’s my strong belief that Woody Allen‘s work is at its best when he is doing two particular things – engaging in philosophical debate and writing for women. His masterful 1988 feature, Another Woman, shows glimmers of philosophy but primarily demonstrates just how well Allen knows women and their complexities.
The Puffy Chair
The Puffy Chair could have gone either way –it would have all depended on the ending that brothers Jay and Mark Duplass chose for their film. It could have been an awkward comedy hiding its romance for its biggest part but revealing its warmer side near the end, or it could have been a more realistic, genuinely mad road trip of two people that very obviously don’t belong together.
Mike Leigh is the reason I love cinema. When I was in my late teens I discovered Secrets & Lies, High Hopes, Life is Sweet and Vera Drake. Then in my first year at University I saw Another Year and it sealed the deal. I was reminded of why I’d chosen to study film, why I adored British cinema and why Leigh is such a unique and fearless director. I discovered him and Loach at the same time and there work holds a very special place within me – I am often moved to tears by their films just because I am reminded of the beginning of my love affair with the moving image.
65th Berlin International Film Festival
The public programme of the Berlin International Film Festival shows about 400 films per year, mostly international or European premieres. Films of every genre, length and format find their place in the various sections: great international cinema in the Competition, independent and art house inPanorama, films for young audiences in Generation, new discoveries and promising talents from the German film scene in Perspektive Deutsches Kino, avant garde, experimental and unfamiliar cinematography in the Forum and Forum Expanded, and an exploration of cinematic possibilities inBerlinale Shorts. The 65th Berlin International Film Festival will begin on 05/02/2015 and conclude on 15/02/2015.
- There’s something horrifying about Kathy Bates’ Annie Wilkes. There’s something shocking, chilling, heart-stopping about her. And these adjectives can...
- The Godfather is a compelling story put onto film by a poet. That is why it is better than...
- Political art is forever hostage to its questionable standing as a legitimate work of art, and for good reason....
- You know Billy, what worries me is how your mother is going to take this… I don’t have to...
- As an avid fan of the first How to Train Your Dragon film, I already knew more or less...
The very fabric of young, male adulthood is at display in writer/director Evan Glodell’s 2011 indie smash Bellflower. The film spews pure emotion as it conveys a sense of longing, dread and testosterone fuelled post-apocalyptic fantasy.
The Kings of Summer
The Kings of Summer is filled with fantastic one-liners, dialogue, and a contempt for the ordinary and the mundane which I have rarely seen in cinema –particularly in a film which is supposed to represent the genre of comedy. Which, in its broader sense, is too often associated with a lack of meaning, of thought, of contemplation.
The era, the actors, the title; it all fools the viewer into believing that Peter Glenville’s The Comedians might be a good Sunday afternoon experience, a true classic with a good and solid love story, a heroic protagonist, the wit of Alec Guinness, Richard Burton’s exaggeration – but look a little deeper, watch a while, get immersed, and The Comedians becomes a tale of barbarism and decay, filled with hopelessness, corruption, and death.
Something Wicked This Way Comes
A guillotine blade falls; a head falls into a basket. An old effect—it is a plaster mold and fake blood, after all. Nevertheless, with some late-night darkness around it the image can catch the point between reason and imagination—an illusion that can haunt the wrong viewer for a long time to come.
Looking for Johnny
It would seem that Thunders had something to give us in his lifetime but never got round to doing that something justice. And maybe that was the purpose of the film; an examination of someone who wouldn’t ordinarily inspire an entire documentary. Not really who you would call a legend. Rather, a talented someone who lived his life and then died; The New York Dolls a small reminder of Johnny Thunders’ too-short time in this world.
Toto and His Sisters
To be exposed to such decay and helplessness, and also witness the contrast created by Andreea and Toto, whose spirits and willpower clash with the pain and terror of their background, is beyond affecting.
The open road is a living thing; if filmed in the right way, the wide landscapes can open up ahead, pulsing with life and instilling a sense of wonder in the viewer. To many people, the road is symbolic of escape, limitlessness, and anarchy. Vanishing Point attempts to emphasise this by keeping dialogue, character development, and static shots to a minimum, while drawing out driving scenes and never restricting the film to small spaces. The film is miles ahead of its time.
Evil is everywhere, but when the Devil himself takes a seat on the cliff overlooking your town, a change comes in the struggle about to ensue: these are forces of greater power than the world for the part they had in making it, though when humans get dragged in the blows tend to be felt entirely on our terms — in vices and virtues, good and evil, with all the weight such words once contained.
Parents to blame for everything gone wrong in life has always been a central topic I’ve agreed and identified with in film. I’ve also always seen the potential for unconventional comedy and drama in it. But in the case of Ioanna Karystiani’s and Pantelis Voulgaris’ Mikra Anglia, no matter how monstrous the parent we’re dealing with is, one has to wonder: why aren’t her daughters speaking up and acting out in their own lives?
- What a wistful, loving and heartrending portrayal of a young man; what a poignant story of an impoverished Glasgow...
- (Original Title: Italiensk for begyndere) I have seen few films as gentle and kind as Italian for Beginners; a...
- Clint Eastwood’s latest war-hero biopic preaches to us in its opening minutes that there are three different kinds of...
- I am a big fan of sarcasm. That’s why at this year’s Golden Globe Awards my favourite joke came...
- There is a gentleness and quaintness that separates Baz Luhrmann’s debut film from his other works –it is almost...
Political, hysterical and downright ruddy fun, Pride is brimming over with heart and soul.
I Shot Andy Warhol
If we were given an Andy Warhol that is more that of the Andy Warhol Diaries and less the Andy Warhol we see putting on a hard face in interviews or that we hear about through whispers, rumours and life accounts of those that disliked him or fell out with him, a more fair portrayal of the relationship between Solanas and Warhol would have been achieved.
Thomas McCarthy has a knack for writing bizarre plotlines while delving into honest, authentic human emotions –dwarves obsessed with trains, African immigrant squatters, and in his latest work, a lawyer whose real passion lies in coaching a teenage wrestling team.